Kalamkaval review: A moderately captivating investigative thriller elevated by Mammootty's masterful performance
Rating: 2.5/5 Suyog Zore
After witnessing laudatory reviews from critics and an abundance of acclaim from audiences for Mammootty's Kalamkaval, I resolved to view it today and, candidly, it did not meet my expectations. While it is not a subpar film that induces tedium or complete disengagement, it also lacks any remarkable qualities. It is merely an average, formulaic investigative thriller-cum-drama that offers little in the way of originality. In my estimation, it was excessively hyped upon its release, largely due to the critics' fervor regarding Mammootty's resurgence after giving lackluster films in last two-years.
Following a string of critically acclaimed and commercially successful films such as Kaathal – The Core (2023), Bheeshma Parvam (2022), Rorschach (2023), Kannur Squad (2023), and Bramayugam (2024), his subsequent projects did not live up to expectations. Both Mammootty's ardent fans and neutral viewers eagerly anticipated his return to form with a captivating venture, and 'Kalamkaval' ostensibly quenched their thirst. Although the film afforded Mammootty an opportunity to display his acting prowess, the remainder of the production was merely above average at best.
Mammootty embodies Stanley Das, a calculating psychopath and serial killer who ensnares women and girls through charm, persuading them to elope with him. The script suffers from several plot inconsistencies. Initially, Stanley is depicted as a devoted husband and father of two young children. However, this significant facet of his life is subsequently disregarded for the duration of the film. Given his nature as a remorseless murderer and psychopath, delving into his family dynamics could have intensified the tension and illuminated how he manipulates or conceals his dual identity from his family.
For those unfamiliar, the film draws inspiration from the true story of the notorious serial killer Cyanide Mohan. Notably, this is not the first cinematic endeavor to be influenced by his life; the web series 'Dahaad' (2023), featuring Sonakshi Sinha and Vijay Verma, as well as the recently released 'Bhagwat: Chapter One – Raakshas' (2025), starring Arshad Warsi and Jitendra Kumar, have also explored his narrative. Consequently, viewers who have not encountered these projects may find 'Kalamkaval' more enthralling, whereas those acquainted with the story and familiar with the aforementioned web series and films, like myself, may find it less engaging due to the plot's predictability. Nevertheless, Mammukka, or Mammootty's exceptional performance managed to sustain my interest. Moreover, a mid-point twist took me by surprise, prompting me to pay closer attention to the unfolding events and the serial killer's attempts to elude capture. Additionally, sub-Inspector Jayakrishnan (Vinayakan) stands out as a tenacious officer who remains undeterred in his pursuit. Unlike the archetypal angry police officer, Jayakrishnan adheres to protocol, maintains composure amidst frustration, and perseveres in his quest for justice.
Given that Kalamkaval and the recently released Hindi film Bhagwat: Chapter One – Raakshasare inspired by the same serial killer, certain similarities between the two films are inevitable. In both narratives, we encounter a scenario where one girl manages to escape the clutches of a serial killer. This girl is now married to a loving husband and has a young daughter. As both films draw from the same source and were released within a short span of two months, it is plausible that they were filmed concurrently. However, it is also vital to acknowledge that, had the order been reversed— with Bhagwat: Chapter One – Raakshasdebuting after Kalamkaval— many individuals unaware of the underlying reason for the similarity in this subplot would likely have taken to social media to denounce Bhagwat: Chapter One – Raakshas, labeling it a copy or an unofficial remake.
Stanley's insatiable appetite for murdering vulnerable women and reveling in the act of homicide is presented in a starkly realistic manner. Director Jithin K. Jose and co-writer Jishnu Sreekumar have deftly avoided perpetuating a culture of heroism or gratuitous violence, opting instead for a matter-of-fact approach that renders Stanley's bloodlust all the more chilling. Mammootty delivers a masterful portrayal of Stanley, skillfully juxtaposing the character's dual personas. To his acquaintances, Stanley appears to be a devoted husband and dedicated professional, donning a charming smile that conceals his malevolent intentions. Vinayakan also delivers a commendable performance as a diligent officer, though his character feels somewhat one-dimensional and stoic. It would have been advantageous for Jithin K. Jose to infuse more nuance into this character or explore other dimensions of his personality. The supporting cast may have limited opportunities to shine, yet they make the most of their screen time.
The film's cinematography, executed by Faisal Ali, emerges as another notable highlight. He employs close-up shots and slow-motion sequences to effectively convey Stanley's sinister nature. The director and cinematographer successfully avoid portraying Stanley as heroic, instead cultivating a sense of unease and tension through these visual techniques. Mujeeb Majeed's background score is also impactful, enhancing the eerie atmosphere and elevating several scenes, particularly in the third act.
While the technical departments excel and Mammootty delivers a remarkable performance, 'Kalamkaval' ultimately falls short of being a compelling investigative thriller, instead offering mild amusement due to its inability to sustain consistent tension.
Cast: Mammootty, Vinayakan
Writers: Jithin K. Jose, Jishnu Sreekumar
Director: Jithin K. Jose
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